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The
Practice of Psychoanalysis |
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This
article was first published in the News & Events publication. Michael
Brearley was Chair of the External Relations Co-ordinating Committee. In
this, the second of two articles, he responds to criticisms of its
practice: Psychoanalysis is said to be:
Psychoanalysis is the most radical way that human beings have devised for making available unknown and archaic aspects of the self which persist and enter into one's life, often in destructive and out-of-date ways. It is a potent instrument, and can therefore be used to ill effect as well as to good effect, and the quality of its impact is limited by the quality of its practitioners There is, however, some reassurance for the public. Firstly, it is of the essence of psychoanalysis that the analyst should be familiar in himself with the kinds of things that he meets in his patients; and that he constantly scrutinise his own responses, conscious and unconscious, not only to minimise bias or prejudice, but also because the analyst's self-scrutiny is necessary to understand the patient's emotions. It thus contains within itself the means of its own self-correction in a way that no other treatment does. Secondly, the Institute of Psychoanalysis has rigorous selection and training processes, as well as a culture of continuing education and peer consultation; it takes ethical issues seriously. Nevertheless people are fallible. Is this fallibility in an analyst dangerous or simply a waste of time and money? Can analysts damage the mind, like bad surgeons damage the body? I think damage can occur; but not directly, by the analyst's 'scalpel'; he can't simply excise healthy tissue or implant toxic matter. And the analyst aims not to take sides, as between patients and their families, over matters such as abuse; we are not afraid of admitting what we don't know. For
the analytic process to 'take' there is an intrinsic need for involvement
by the patient. Indeed, one defence that a patient adopts is to sit back
and wait for the analyst to apply the knife or the pills. Much of what is
unavailable to the patient in himself has been disowned for strong
reasons; even his own mental capacities may have been damaged in the
desperate hope of annihilating what is unbearable. But psychoanalysis may also fail for the opposite reason, that the analyst and patient between them lack the courage and skill to make available and then to face difficult unconscious aspects of the patient's mind. The treatment may then become either a stalemate, or a more or less agreeable supportive therapy in which the possibility of radical change is lost. Contemporary
psychoanalysis is not a matter of going back to the past, or living in the
past. Far from it. In fact patients often complain that it is all too much
in the present, in the transference. I see it like this: what the patient
tells us about his past and about his current life outside the consulting
room is hearsay, and thus to some degree unreliable. Is
psychoanalysis elitist? It is of essence labour-intensive, and therefore
expensive, though many analysts earn less than they would have done had
they stayed in their previous professions. Unfortunately,
psychoanalysis is not as widely available, either in its full form or less
directly, as we would wish. There are now, however, more psychoanalysts
working outside London, and more people who live outside London who are in
training than ever before. Psychoanalysts do not condemn medication wholesale. Often its use goes counter to the aim of uncovering, but it may be that at some stages, for some patients, medication can calm them enough to make talking therapy possible. Are psychoanalysts hostile to homosexual patients? No. Such people are treated in just the same way as heterosexuals; that is, as people whose unconscious tendencies are elusive. We are interested in what all kinds of behaviour might mean in terms of denied and split-off emotional experiences. Finally,
is psychoanalysis anti-creativity? Again no. Early psychoanalytic theory
may have encouraged the view that creativity was, like symbol-formation, a
symptom resulting from repression - though even then theorists attempted
to differentiate sublimation from symptoms.
Copyright
© 2001 British Psychoanalytical Society &
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