Sponsored by
The International
Psychoanalytical Association
and
by The Israel Psychoanalytic Society
and the
and the
The Couch and
the Silver
Screen
Psychoanalytic Reflections
on European
Cinema
Edited by Andrea Sabbadini
Projected Shadows
Psychoanalytic Reflections on the Representation of Loss in European Cinema
Edited by Andrea Sabbadini
film&psychoanalysis
bibliography
08 October 2007
Some titles of publications are in
blue, which indicates that reviews, or the papers/articles themselves can be read online. Please note that copyright legislation applies in all cases. Some of the reviews linked to these titles are ones written at or close to the date of original publication of the work reviewed, and others are more recent. Reviews will be added to this section, with the more up-to-date ones being placed firstAA.VV. (1955). Psychoanalysis and Film II. American Imago, 52 (2).
AA.VV. (1975). Psychanalyse et cinéma. Communications. 23
AA.VV. (1979). Cinéma et Psychanalyse II. Ca cinéma,16.
AA. VV. (1982) Sexual
difference: psychoanalysis and film. Wide Angle: A Film
Quarterly of Theory, Criticism, and Practice, 5(1).
AA.VV. (1989). Cinéma et psychanalyse. CinémAction. 50.
AA.VV. (1993). Psychoanalysis and Film. American Imago. 50 (4).
AA.VV. (2005). Schermi psicoanalitici. La Valle dell’Eden, 15.
Albano, L. (1986) Il visibile e il non visibile. Filmcritica, 365-366.
Albano, L. (1992). La caverna dei giganti. Scritti sull’evoluzione del dispositivo cinematografico. Parma: Pratiche.
Albano, L. (2003). Cinema e Surrealismo: tra oggetto-sogno e spazio-sogno. In G. Orlandi Cerenza (a cura di), Traiettorie della modernità. Il Surrealismo all’alba del Terzo Millennio. Torino: Lindau, 2003.
Albano, L. (2004). Lo schermo dei sogni. Chiavi psicoanalitiche del cinem. Venezia: Marsilio.
Albano, L. (2005). L’amore impossibile e l’oggetto perduto. In E. Dagrada (a cura di), Il Melodramma. Roma: Bulzoni.
Allen, R. (1995). Projecting Illusion: Film Spectatorship and the Impression of Reality. New York: Cambridge University Press.
Allen, R. "Psychoanalytic Film Theory." In A Companion to Film Theory (ed. Robert Stam and Toby Miller). Oxford: Blackwell, 1999.
Almansi, R.J. (1992). Alfred Hitchcock's disappearing women: scopophilia, object loss.., Int. Rev. Psychoanal., 19:81-90.
Altman, C. (1976) Psychoanalysis and the cinema: The imaginary discourse. Quarterly Review of Film Studies, 2: 257-272.
Angelini, Alberto (1992). Psicologia del cinema. Napoli: Liguori.
Arlow, J. A. (1980): The revenge motive in the primal scene. J. Am. Psa. Ass., 28, 519-541.
Argentieri, S. , Sapori, A. (1988) Freud a Hollywood. Torino: Nuova Eri.
Augst, B. (1985): The
lure of psychoanalysis in film theory. Camera
Obscura, 415-437.
Baker, R. (2001): “Deconstructing Dirty Harry: Clint Eastwood’s Undoing of the Hollywood Myth of Screen Masculinity in Play Misty for Me”. in “Psychoanalysis and Film” edited by Glen O. Gabbard.(Karnac 2001).pp 153-159.
Ballhausen, T, Krenn, G. and Marinelli, L. (Eds.) (2006) Psyche im Kino: Sigmund Freud und der Film.Wien : Filmarchiv Austria.
Baudry, J. - L. (1978). L’Effet cinema. Paris: Albatros.
Baudry, J. - L. (1994): Das Dispositiv: Metapsychologische Betrachtungen des Realitätseindrucks. (Platons Höhle und das Kino). Psyche, 48, 1047-1074 (orig. French 1975).
Beebe, John (1996). Jungian illumination of film, Psychoanal. Rev., 83:579-587
Bellavita, A. (2004). La tecnologia come costrutto simbolico. Per un’applicazione della psicoanalisi al dispositivo cinematografico. Comunicazioni sociali, 26 (1).
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Bellour, Raymond, Penley, Constance (Eds.) (1979). The Analysis of Film. Bloomington: Indiana University Press, 2000. (Fr. L’Analyse du film. Paris Albatros)
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Benton, R. J. (1993). Review of Echo and Narcissus: Women's Voices in Classical Hollywood Cinema, Psychoanal. Books, 4:370-373.
Benton, R. J. (1993). Review of Femmes Fatales: Feminism, Film Theory, Psychoanalysis, Psychoanal. Books, 4:370-373.
Benton, R. J. (1993). Review of The Difficulty of Difference: Psychoanalysis, Sexual Difference and Film Theory, Psychoanal. Books, 4:370-373.
Benton, R. J. (1995). Review of Screen Memories: Hollywood Cinema on the Psychoanalytic Couch, Psychoanal. Books, 6:301-305.
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