Book Notice

The Couch and the Silver Screen


Psychoanalytic Reflections on European Cinema
Edited by: Andrea Sabbadini

Vol 44. in The New Library of Psychoanalysis
Published by Brunner-Routledge
 1-58391-9511 hbk pp 280 2003
 1-58391-952X pbk pp 280 2003
 
The Couch and the Silver Screen is a collection of original contributions which explore European cinema from psychoanalytic perspectives. Both classic and contemporary films are presented and analysed by a variety of authors.

Foreword by: Laura Mulvey
The Couch and the Silver Screen is a collection of original contributions which explore European cinema from psychoanalytic perspectives. Both classic and contemporary films are presented and analysed by a variety of authors, including leading cinema historians and theorists, psychoanalysts with a specific expertise in the interpretation of films, as well as the filmmakers themselves. This composite approach offers a fascinating insight into the world of cinema.

The Couch and the Silver Screen is illustrated with stills throughout and Andrea Sabbadini's introduction provides a theoretical and historical context for the current state of psychoanalytic studies of films. The book is organised into four clear sections - Set and Stage, Working Through Trauma, Horror Perspectives and Documenting Internal Worlds - which form the basis for engaging chapters including:

* easily readable and jargon-free film reviews.
* essays on specific subjects such as perspectives on the horror film genre and adolescent development.
* transcripts of live debates among film directors including Bernardo Bertolucci, actors, critics and psychoanalysts discussing films.

The cultural richness of the material presented, combined with the originality of multidisciplinary dialogues on European cinema, makes this book appealing not only to film buffs, but also to professionals, academics and students interested in the application of psychoanalytic ideas to the arts.

Contents:
Laura Mulvey, Foreword. Andrea Sabbadini, Introduction.

Part I: Set and Stage. Bernardo Bertolucci, Fiona Shaw, Chris Mawson, The Inner and Outer Worlds of the Filmmaker's Temporary Social Structure. Ian Christie, Juliet Stevenson, Helen Taylor Robinson, One in the Eye from Sam - Samuel Beckett's Film (1964) and his Contribution to our Vision in Theatre, Cinema and Psychoanalysis.

Part II: Working Through Trauma. Nanni Moretti, Paola Golinelli, Stefano Bolognini, Andrea Sabbadini, Sons and Fathers: A Room of their Own - Nanni Moretti's The Son's Room (2001). Jed Sekoff, Witness and Persecution in two Short Films: Miguel Sapochnik's The Dreamer (2001) and Lindy Heymann's Kissing Buba (2001). Annegret Mahler-Bungers, A Post-postmodern Walkyrie - Psychoanalytic Considerations on Tom Tykwer's Run, Lola, Run (1999). Liliana Pedrón de Martín, Thomas Vinterberg's Festen (1998) - An Attempt to Avoid Madness Through Denunciation. Diana Diamond, Itsván Szabo's Sunshine (1999) - The Cinematic Representation of Historical and Familial Trauma.

Part III: Horror Perspectives. Steven Jay Schneider, Notes on the Relevance of Psychoanalytic Theory to Euro-horror Cinema. Donald Campbell, Dario Argento's Phenomena (1985) - A Psychoanalytic Perspective on the 'Horror Film' Genre and Adolescent Development. Candy Aubry, Freedom Through Re-introjection: A Kleinian Perspective on Dominik Moll's Harry: He's Here to Help (2000). Michael Grant, Cinema, Horror and the Abominations of Hell - Carl-Theodor Dreyer's Vampyr (1931) and Lucio Fulci's The Beyond (1981).

Part IV: Documenting Internal Worlds. Michael Apted, Helen Taylor Robinson, Narratives and Documentaries - An Encounter with Michael Apted and his Films. Elizabeth Cowie, The Cinematic Dream-work of Ingmar Bergman's Wild Strawberries (1957). Ljiljana Filipovic, Film as an Abreaction of Totalitarianism - Vinko Bre an's Marshal Tito's Spirit (2000). Emanuel Berman, Timna Rosenheimer, Michal Aviad, Documentary Directors and their Protagonists: A Transferential / Countertransferential Relationship? Timna Rosenheimer's Fortuna (2000) and Michal Aviad's Ever Shot Anyone? (1995). Hugh Brody, Michael Brearley, Filming Psychoanalysis: Feature or Documentary? Two Contributions.

Author Biography:
Andrea Sabbadini is a psychoanalyst in private practice in London and a lecturer at UCL. He is founding editor of Psychoanalysis and History and book review editor of The International Journal of Psychoanalysis. He chairs the European Psychoanalytic Film Festival and a series of film events at the ICA.

"In these days, when psychoanalysis is looking for ways to integrate itself back into the world – into cultural, political, intellectual, and emotional life – a book like this is to be cherished…. It is a gold mine for anyone interested in movies, in psychoanalysis, or in the reciprocity between them"

(Anita Weinreb Katz, Journal of the American Psychoanalytic Association, 53(2): 673-679; 2005).

 

The books in this series can be ordered from Karnac Books Ltd



 

 

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